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Monday, May 15, 2017

How Jimi Hendrix Set Black Music Artists Stone Free


“I get a kick out of playing. It’s the best part of this whole thing, and recording too. I wrote a song called ‘I Don’t Live Today,’ and we got the music together in the studio. It’s a freak-out tune. I might as well say that, ’cause everyone else is going to anyway…” – Jimi Hendrix
“Freak out” is an apt way to describe how the world reacted to Jimi Hendrix. In 1966, the rock legend arrived in London an unknown guitarist from New York City looking to establish himself as a star. 
In September, former Animals bassist-turned-music manager Chas Chandler began taking Hendrix around The Smoke, and actively recruited a band to support him, nabbing drummer Mitch Mitchell and bassist Noel Redding. That same month, at a Cream show at Regent Street Polytechnic, Hendrix took the stage alongside that power trio to play a kinetic version of Howlin’ Wolf’s “Killing Floor.” After a short tour of France, The Jimi Hendrix Experience were signed to Track Records by Chris Stamp and Kit Lambert, managers of The Who.
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